Der grosse William Gibson in Wired über Remix-Culture: God’s Little Toys
We seldom legislate new technologies into being. They emerge, and we plunge with them into whatever vortices of change they generate. We legislate after the fact, in a perpetual game of catch-up, as best we can, while our new technologies redefine us – as surely and perhaps as terribly as we’ve been redefined by broadcast television.
„Who owns the words?“ asked a disembodied but very persistent voice throughout much of Burroughs’ work. Who does own them now? Who owns the music and the rest of our culture? We do. All of us.
Though not all of us know it – yet.
